Hater reveal new single ‘Hopes High’ from upcoming album ‘Sincere’ out 6th May
Reflecting on relationships that have become a distant memory, ‘Hopes High’ is a fuzzed out arresting slice of 90s shoegaze pop that evokes Slowdive
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The Garbage and The Flowers announce new album ‘Cinnamon Sea’
Another psychedelic masterpiece from the band that gave us 1997's cult dreampop gem 'Eyes Rind As If Beggars'. Listen to new track ‘Eye Know Who You Are’ out now
The Dream Syndicate reveal new album ‘Ultraviolet Battle Hymns and True Confessions’
The brand-new album from The Dream Syndicate blends vintage Krautrock, Eno-like ambience, Neu-inspired rhythmic groove and a Californian sun baked sheen into their classic psychedelic, melodic, hue.
The Lemonheads ‘It’s A Shame About Ray’ (30th Anniversary Deluxe Edition) is out today
Featuring essential & unreleased extras: b-sides, demos, covers & KCRW 1992 session track with unseen photos and new liner notes
Pictish Trail reveals new video for ‘It Came Back’ featuring James Acaster
Directed by Sam Wisternoff (SJ Esau), ‘It Came Back’ is a glitchy, imploding pop video that dives into the hilarious and infuriating world of video communication. It also features a special guest appearance from esteemed UK comedian James Acaster.
Come’s ‘Peel Sessions’ is out today, an essential collection of two John Peel sessions recorded in 1992 and 1993
The sessions feature the masterful guitar interplay of two central pivots of the post-post-punk and alternative noisenik underground, Chris Brokaw and Thalia Zedek, and the visceral bass and drums of Sean O'Brien and Arthur Johnson, documenting an essential era for the band
Vanishing Twin head to the US this March for their first ever North American tour
Vanishing Twin will be playing material from their latest album 'Ookii Gekkou', out now
“How the lovable puppy of The Lemonheads went to the dark side”
MOJO Magazine
Modern Studies’ new album ‘We Are There’ is out now
On their new album ‘We Are There’, an ambient muse moves through the shadows, analogue instruments creak and Laurel Canyon harmonies tingle in tape-echoed air; melody and magic conspire to create something way beyond the sum of its many parts, elevating Modern Studies from self-made innovators to poetic protagonists.