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Brigid Mae Power reveals new single ‘The Waterford Song’ from her upcoming album ‘Dream From The Deep Well’

Recognised as a purveyor of dreamier pop with folky leanings, this new album is a departure; a unique marriage of traditional stylings and very modern melodies; a breath-taking soundtrack which underpins her gorgeous vocal. Filled with personal tales of offspring and grandparents, the lovelorn and the lost, it’s the essence of re-imagined folk music, from the traditional intro and outro that act as bookends.

Brigid Mae Power reveals new single ‘Counting Down’ from her upcoming album ‘Dream From The Deep Well’

Recognised as a purveyor of dreamier pop with folky leanings, this new album is a departure; a unique marriage of traditional stylings and very modern melodies; a breath-taking soundtrack which underpins her gorgeous vocal.
Filled with personal tales of offspring and grandparents, the lovelorn and the lost, it’s the essence of re-imagined folk music, from the traditional intro and outro that act as bookends.

Bas Jan’s limited edition reissue of ‘Baby U Know’ is out now

A heady collision of Raincoats-esque indie and ESG-paced rhythms fed through a kaleidoscopic pagan folk filter. The follow up to their critically acclaimed 2018 debut 'Yes I Jan', this release is a wordy slice of state-of-the-art social commentary wrapped in a perfectly-balanced soundscape that veers from funky minimalism to baroque dream pop

Death And Vanilla’s new album ‘Flicker’ is out now

Housed in a beautifully austere post-ironic de-constructed sleeve; ‘Flicker’ is a modern reflection on these difficult times. World crises notwithstanding, they return reborn, re-arranged and revitalised after assimilating dub reggae, the motorik spirals of Can, the modal meander of Philip Glass and The Cure’s dreamier pop sounds; plus the twice removed symphonic ambience of Spiritualized and Talking Heads under heavy manners from Brian Eno

Faten Kanaan Delivers Three Works for the Christian Dior Autumn-Winter 2023/24 Show

With music curated by the fashion world’s leading sound director Michel Gaubert, the show’s enigmatic setting was a stunning backdrop for Faten’s expressive and cinematic work. The three pieces used, 'Trenchcoat', 'Florin Court' and 'Fin Aout, Debut Septembre', all taken from Faten’s fifth album, 'Afterpoem', provided the perfect accompaniment to the visually enchanting event