'Apocalypse Love' is an album that emanates from a dive bar jukebox in the back of your mind; with a playlist that bends between tub thumping doom-glam, Plastic Ono singalongs, cocktail-shaken space age pop, Morricone reverberations and lo-fi outsider acoustic-punk, with mariachi horns, theremins, drum machines and harmonies filtering through the infectious melodies
Nightshift is the latest addition to our Fire Songs publishing roster. The ensemble from Glasgow, formed in 2019, continue the city’s rich history of blurring the lines between DIY, Post-Punk and Experimental Pop and features artist Eothen Stearn, Chris White, Andrew Doig aka Robert Sotelo and Georgia Harris
Jane Weaver's experimental ensemble in collaboration with Peter Philipson and Raz Ullah, Fenella returns with a hallucinogenic excursion into ambient textures and hypnagogic drones on new album ‘The Metallic Index’. Taking further steps into their combined compositional universe with this follow-up to 2019’s acclaimed Fehérlófia album
A dystopian Spaghetti Western, Morricone-esque track, new single ‘Lost Angel’ exudes from the Subterranean underground with a cataclysmic air.
Decisive Pink is comprised of Angel Deradoorian (former member of art-pop iconoclasts Dirty Projectors), whose unique ritualistic take on vocal performances and freeform songwriting collides with that of the Moscow-based songwriter Kate Shilonosova, AKA Kate NV, whose music represents a buoyant mash-up of influences ranging from ’80s J-pop, early ’90s rave and the swagger of new jack swing
Second Born Child (Live at TivoliVrendenburg 2021) pulsates like Moondog with layered vocals filtered through a tape recorder. Accompanied by a new video, this new live version sees the addition of three backing vocalists. Bringing a choral feel to the track with the addition of piano, Rats On Rafts capture the studio atmosphere of the original track.
Marina Allen's new album 'Centrifics', the anticipated follow-up to her acclaimed album, 'Candlepower' is out now. Full of surprising melodies and hooks, contemplative, and startling, it was written during a self-imposed six-month seclusion in quieter Northern California
Think Laurie Anderson playing chess with Bjork, while a soulful Lorraine Ellison aches and alien messages flutter through an old cathode tube. Think Prince arm-wrestling with Arthur Russell overlapped with the hum of Blue Velvet, its ambience and jarring sound effects splintered like Aphex Twin
Jane Weaver's experimental ensemble in collaboration with Peter Philipson and Raz Ullah, Fenella returns with a hallucinogenic excursion into ambient textures and hypnagogic drones on new album ‘The Metallic Index’. Taking further steps into their combined compositional universe with this follow-up to 2019’s acclaimed Fehérlófia album