Lemonheads
Since they were formed in Boston, Mass, in 1986 by Evan Dando, the family tree of The Lemonheads has had many twisted tentacles and tangential branches, and a host of one-liners etched into its bark. Anyone could be a Lemonhead but for how long who knows? Leastways they’ll be shoulder-to-shoulder with Evan throwing discordant chords against alt-country-tinged melodies, playing that light and dark card.
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Photos
Biography
Since they were formed in Boston, Mass, in 1986 by Evan Dando, the family tree of The Lemonheads has had many twisted tentacles and tangential branches, and a host of one-liners etched into its bark. Anyone could be a Lemonhead but for how long who knows? Leastways they’ll be shoulder-to-shoulder with Evan throwing discordant chords against alt-country-tinged melodies, playing that light and dark card. Through their ranks passed Descendents, Blakes Babies, Dinosaur Jr and members of Fuzzy.
Three raucous albums on local label Taang! in the late ‘80s led to a deal with Atlantic Records and their “grown up” fourth: ‘Lovey’. The times were a-changing. Touring that platter Evan hooked up with songwriter Tom Morgan and future bassist Nic Dalton in Australia. The seed was sewn, there was a nod to Gram and Evan’s vocals matured for some much more mellow moments; the mix was massaged. Radio-friendly singles followed, it was pop forged out of punk angst, a beautiful mix made by beautiful people – Evan was voted one of the 50 most beautiful people by People magazine in 1993.
Subsequent albums, ‘It’s A Shame About Ray’ and ‘Come On Feel The Lemonheads’ focused on that Evan vocal; his turn of phrase, the curl of his lip, the couplet that became a lifestyle… and the hits followed, the radio hummed to the gorgeous ‘Into Your Arms’; national TV beckoned; Evan and his ‘heads were on Leno and Lettermen. The attention multiplied, the touring magnified, the anecdotes of self-destruction, road weariness and all too necessary poor behaviour increased and by ’97 Evan was announcing the demise of his beloved Lemonheads on stage at Reading Festival. His magnificent solo album ‘Baby, I’m Bored’ was released in 2003 – sounding even more laidback.
So, to be truly unpredictable, a mere year later he was fronting The MC5 before returning as The Lemonheads with a head-on collision of wordy ‘70s punk and cosmic country for 2006’s self-titled album as a new line up was bedded in. Inspired by long time buddy Gibby Haynes of the Butthole Surfers’ mix tapes their next project was 2008’s ‘Varshons’ a collection of much-travelled covers that neatly placed Leonard Cohen next to GG Allin, Townes Van Zandt and obscure early Lemmy from his daze as part of psyche icons Sam Gopal. It also featured a cameo from Kate Moss.
In 2019, a decade on, The Lemonheads returned with ‘Varshons 2’, their tenth studio album. Evan was at the helm with producer Matthew Cullen also on guitar and siren, Come and Codeine’s Chris Brakow supplying guitar and Willy Mason and Nina Violet sitting in. Another mixtape in a different kitchen placing the oddball and the unsung next to The Eagles and Nick Cave. Where else could you hear the music of Tom Morgan’s short-lived Givegoods, English curmudgeons The Bevis Frond and Lucinda Williams so seamlessly joined at the hip?
In 2023 they returned with brand new single ‘Fear Of Living/Seven Out’, a reflective upbeat slice of perfect pop with a grittier Evan at the helm and a riff that’s plucked from the very heart of rock ‘n’ roll. Playing all the instruments on the recording, the new single was recorded and produced by Apollo Nove at A9 Audio in São Paulo, Brazil. ‘Fear Of Living’ was written by the late Dan Lardner of QTY and Evan Dando. Dan was a close friend of Evan’s who passed in June of 2023. Evan is also currently working on the first Lemonheads songs since 2006.
“The Lemonheads have always been recognised as purveyors of grade-A pop-punk” Record Collector
The Lemonheads have always been recognised as purveyors of grade-A pop-punk
Record Collector
Listen
One of the most influential bands of the last few decades
Bandcamp
Fabulous sunny power-pop and beautiful ballads
The Guardian
A band that was impossible to box in and effortlessly more eclectic than any other rockers of their time
Rough Trade
Press Clippings
Press quotes
“Beautiful, effortless, joyous” UNCUT
“Country-tinged power-pop” Stereogum
“Fascinating sixth album by the Lemonheads gets a new reissue that explores the moment when Evan Dando was everything everyone said he was, all at once.” Pitchfork
“One of alt-rock’s most charming groups” The Guardian
“[‘It’s a Shame About Ray’] may be a perfect record – an exquisitely self-contained work of idleness, hunger, and pathos.” New Yorker
“What stands out today is the strength of Dando’s songwriting and knack for telling relatable, compelling, occasionally introspective stories.” Forbes
“Beautiful” ★★★★★ Louder Than War
“One of the best songwriters of his generation, with an incredible ear for hooks and an appreciation of the pop greats before him. It’s a Shame About Ray remains a near-flawless album” ★★★★ ½ Popmatters
“Enigmatically ferocious” Music OMH